In the opening moment of “Outlaws” (scored to the Doom-tinged sound of the song “Lunacy” from the Ambient-Rock group Swans), a leather-clad motorcycle gang cuts through the night streets like riders of an oncoming Apocalypse. It is a moment that immediately grabs and foreshadows the aura of the film.
Director Stephen McCallum immediately assures us that his first feature
In Tom Clancy’s excellent 1993 novel “Without Remorse,” a former Navy Seal Vietnam Veteran named John Kelly loses his pregnant wife in a car accident, befriends a former prostitute, helps her kick drugs, and finds her murdered by her ex-pimp who almost kills Kelly as well.
Seeking revenge by murdering pimps and drug dealers, Kelly decimates a drug ring, goes on a mission to rescue POWs and fights against political corruption and KGB moles.
Ken Burns knows he only has so much time left to make a certain number of movies. It’s getting harder to pick and choose which of the many ideas for his trademark multipart documentaries will get his full attention—but choose he must.
“As I get older, I get greedier. Because you realize there are so many subjects that you want to touch, and there’s not gonna be enough time to do them all,” Burns, 67, said this week from his home and offices
After being canned for three years (allegedly due to pressure from the Los Angeles police department) Brad Furman’s “City of Lies” was rolled out last month.
Although it would have benefited from a longer running time and deeper examination into the facts (this story would shine as a three-hour street crime epic), Brad Furman’s procedural gets to the meat of the inquiry into
Ed Helms and Patti Harrison have such singular chemistry in the new film “Together Together” that one might assume that they have known each other for years. Not so, they both said when speaking about the film.
“I knew of him,” said Harrison over video chat, eliciting perhaps the hint of a smile from her co-star, who is known for his time on “The Daily Show” as well as “The Hangover” films and “The Office.”
How has Tom Skerritt never been the star of a movie before? It took a while—way too long—but now at 87, Skerritt delivers a performance that belies a soulfulness and reservoir of talent that has only been briefly glimpsed in his numerous supporting roles over the years.
“East of the Mountains” opened Thursday as part of the (virtual) Seattle Film Festival, which is the precisely correct venue given
The Covid-19 pandemic has been hard on the entire world. 2020 and, so far, 2021 have been devastating economically but, most importantly, socially.
People are struggling everywhere to maintain their finances and their homes while a demon in virus form breathes its devilish fire on our planet.
I’d presume the new film
Shot in Los Angeles during the COVID-19 pandemic, the new film “I’m Fine (Thanks for Asking)” finds a single mother struggling to provide shelter and a good life for her young daughter after the unexpected death of her husband. Danny (played beautifully by co-writer and co-director Kelley Kali Chatman) has taken her young daughter Wes on an extended camping trip. The reality of their situation
Formulaic, “Marvelous and the Black Hole” is a coming-of-age tale that eventually wins over its audience with performances and an accessibility. Miya Cech is quite good as “Sammy,” a rebellious teen with repressed emotions regarding her deceased mother. Carrying a bad attitude that is only getting worse, Sammy acts out. Disrespect to adults (including back giving lip to her dad and sister) and getting in trouble at school
Festival season is in full swing, even with fests either going hybrid or one-hundred percent virtual as the pandemic continues. Here are some films I was able to catch at this year’s Garden State Film Festival, Santa Barbara Film Festival, as well as another interesting film that will be available on demand soon—hopefully along with these other ones. “The Knot” (SBIFF) is an intriguing work from filmmaker Ashish Pant, an unusual work that can’t precisely be