Chaos, wrath and bucketfuls of drumming. The movie score that Dutch-born musical artist Junkie XL composed for MAD MAX: FURY ROAD punches up the film’s post-apocalyptic scenery like nobody’s business. The Grammy-nominated producer and composer was approached by Warner Bros. Pictures and Village Roadshow Pictures to stamp his sonic signature unto the George Miller-directed action-thriller that stars Tom Hardy, Charlize Theron
THANK YOU FOR PLAYING provided “some of the most heart-breaking moments at the last Tribeca Festival
Every year, thousands of gamers, programmers, and journalists converge at the Penny Arcade eXpo (PAX) to celebrate video game culture. As one of the world’s premier gaming conventions, the booths and hallways are choked with endless screens of pixelated carnage and mayhem. All except for one, that is. At this booth, a quiet middle-aged man guides players towards a video game that isn’t about killing and destruction but survival and life.
When you have a film that boasts the comedic talents of Lake Bell and Simon Pegg nothing can go wrong. In MAN UP, Lake Bell is Nancy, a woman who is a master of words but less skillful in love. When Nancy is accidentally mistaken by Jack (played by Simon Pegg) to be his blind date, she decides to be impulsive for once and just go along with it. What follows is a hilarious, rollicking romp of schemes, sparring, and slapstick humor.
My name is Nathanael Hood and I’m autistic. And in my twenty-six years on this earth I have never seen a film that treated autism with the same level of respect and dignity as Matt Fuller’s AUTISM IN LOVE. It examines four subjects: Lenny, a twenty-something living with his parents who agonizes over his inability to get a girlfriend; Dave and Lindsey, two Autistics who have managed to overcome their disabilities to sustain an eight-year relationship; Stephen, a middle-aged
Adrián García Bogliano’s SCHERZO DIABOLICO can best be described as a near-perfect engine of human cruelty. Any other attempt to qualify it within the terms of established genre traditions are futile. Is it an abduction procedural? A psychological character study of a criminal à la John McNaughton’s HENRY: PORTRAIT OF A SERIAL KILLER (1986)? A female revenge thriller? SCHERZO DIABOLICO is all three and
On Friday Gren Wells's "The Road Within," a low-key dramedy about affliction adapted from the 2010 German film "Vincent Goes to Sea," opened in New York and Los Angeles. It stars the young, promising Irish actor Robert Sheehan as a teenager stricken with Tourette's, whose cold-hearted father (Robert Patrick of "Terminator 2": Judgment Day") installs him in a mental clinic after his mother dies.
Laura Bispuri's SWORN VIRGIN ("vergine giurata" in the original italian title) feels incomplete, a partial film missing a final reel. SWORN centers on Hana (Alba Rohrwacher), a young Albanian woman who invokes the traditional right for females to become honorary males known as “burrnesh” in exchange for taking an oath of virginity. Years later Hana, now known as "Mark," flees the countryside to live in Italy and rediscover her lost femininity.
This year’s Cannes Selection was announced this morning and in fact features a less american-centric selection of films than in years past. That’s not to say Cannes's programmers won’t indulge a little of their flair for filmmakers representative of the commercially-viable but frankly independent fringe made in USA. Two of our best filmmakers alive today, Gus Van Sant and Todd Haynes, will be both competing for the Palme D’Or
Although Isabella Rossellini is less known stateside than in Europe the pedigreed doyenne of the moving pictures is bona fide cinema royalty. Her father is filmmaker Roberto Rossellini and her mother, Ingrid Bergman. Oh, she was married to a certain Martin Scorsese in the late seventies and later dated David Lynch. Naming her head of the jury of the Un Certain Regard (U.C.R.) program at this year’s Cannes Festival will add cachet and a dash