It boils down to this: Drive is a decent film but I find its critical adoration bordering on reactionary. It’s fun to watch a team play in its throwback uniforms one game each year, and yes, Drive’s combination of sun-tinged neo-noir, eye-contact chemistry, gear grinding chases and silent leading man charisma makes chilling entertainment. But ever since its release at Cannes this May, the real attraction has been as a “man, they don’t make them like they used to

The surprise winner of the 68th Venice Film Festival was […]

Writer/director Leon Ford's feature debut “Griff The Invisible” is a cute, quirky film that, for all its good intentions, just doesn't quite come together the way it should. Starring Ryan Kwanten (“True Blood”) and Maeve Dermody (“Black Water”), this all-Aussie production takes its cues from beloved awkward-rom-coms like “Amelie” and “Benny & Joon.” Like Depp's character in that film, Kwanten's character, Griff, seems to suffer from some sort of vague mental

Marjane Satrapi’s “Poulet aux Prunes” (“Chicken with Plums”) is the French-Iranian filmmaker’s live-action adaptation of her namesake graphic novel. Co-directing once more with Vincent Paronnaud, who also worked on the 2007 film adaptation of “Persepolis,” Satrapi creates a fairly-tale 1950s Tehran as the backdrop for the story of Nasser Ali, a violinist (Satrapi’s uncle, or so she claims) who resolves to die

Costume dramas and fairy tales set the tone for the opening days of the 68th Venice Film Festival. David Cronenberg’s hotly-awaited A Dangerous Method details the collaboration and rivalry between Carl Jung and Sigmund Freud and set on the eve of World War One. “A Dangerous Method” arrived on day three of the festival and has been one of the stronger entries in the 22-film-strong main competition program.

Renée (superbly played by comedienne, actress and director Josiane Balasko) is the fifty-something short, squat and always grumpy super of one of those buildings in Paris qualified as “standing,” meaning of understated luxury. Paloma (Garance Le Guillermic) is a precocious, nerdy and observant twelve-year-old who lives in that building. Determined to commit [existential] suicide on her thirteenth birthday,

Dying to Do Letterman, the documentary directed by married couple Joke Fincioen and Biagio Messina, chronicles five tumultuous years in the life of Steve Mazan, an average-Joe comedian whose lifelong dream is to perform on Late Show with David Letterman. That goal was expedited once Mazan was diagnosed with liver cancer and told, in early 2005, that he may have just five years to live.

Phnom Penh Lullaby is a John Cassavetes-style documentary—about a bickering couple, no less—but one will not find amusingly rambling scenes of middle-class drunkards quaintly skirting their troubles. Here, the handheld, jerky camera lingers on sad babies, sad prostitutes, trash-strewn streets and some of the saddest domestic squabbles ever recorded on film. Depending on your personal taste, you will either be riveted or exhausted—even bored

The most poignant scene in Miss Representation, Jennifer Siebel Newsom's documentary on the sorry state of female imagery in popular culture, is where Newsom reveals that she made the film for her newborn daughter. A teenage athlete molested by her coach, Newsom developed a severe eating disorder and inferiority complex about her looks. She excelled at Stanford University, but when she later turned to acting

If we were loading cultural items onto a deep space vessel headed beyond the Milky Way and you wanted a prime example of the horror movie with a disturbed little girl (Bailee Madison) moves in with her father and stepmother in a threatening old mansion, a crazy secret murder in the basement, a grumpy groundskeeper who knows all the secrets, an oblivious father (Guy Pearce)