Cinema needs more women filmmakers, more films created by people of color.

Horror cinema needs to be much more creative.

Director Nia DaCosta takes care of each of these issues with her strikingly excellent direct sequel to 1992’s “Candyman,” which stands (in this critic’s opinion) as the finest cinematic translation of Clive Barker’s work. The original film was based on Barker’s short

In 2012, Guy Pearce started in the sci-fi film “Lockout,” The actor played a man who was going to prison but is offered his freedom if he rescued POTUS’s daughter who had been kidnapped by inmates of a prison. (Sound familiar?)

Director John Carpenter thought so and successfully sued the screenwriter (filmmaker Luc Besson)

I’m a fan of a short film that can tell a complete story and foster a solid atmosphere in only so many screen minutes. Accordingly, if you happen to be in Los Angeles in time for the Dances With Film Festival, on september 1st do yourself a favor and check out “A Good Couple,” a dreamy psychological thriller from filmmaker Robert Gregson.

Gregson’s short stars Julie Ann Earls

Earlier this week I re-watched the original “Candyman” from 1992 in which a pair of enterprising though credulous graduate students (Virginia Madsen and Kasi Lemmons) seek to catalog and/or debunk Chicago urban legends. One legend in particular drew them in: the story of a late-nineteenth-century black portraitist whose affair with a wealthy white patron’s daughter resulted not only in her pregnancy but in her father’s hiring a mob

The new thriller “The Night House” indeed has its share of jump scares, though thankfully this rather clever and intelligent supernatural thriller from director David Bruckner (working from a screenplay by Ben Collins and Luke Piotrowski) has much more on its mind than simply inducing fright in the viewer—which it certainly accomplishes.

The filmmakers give us no time

There seems to be a wave of hatred against the films of M. Night Shyamalan. Armchair internet wannabe critics love to trash his work these days. This is completely unfair.

While it may seem that his ability to make a great film is behind him, Shyamalan has only truly stumbled once or twice. Save for his two director-for-hire studio films “The Last Airbender” and “After Earth”

The world has been thrust into darkness. Inside a house, gloved hands fumble around, searching for sustenance. A masked young man enters a bedroom, and in a sharp cut, he sees two dead and diseased bodies. We smash cut to the daytime on a sunny, open road as the man travels by bike in a quiet and seemingly lifeless world.

“After the End”, is a film about isolation

“The Five Rules of Success” reaches for the stars, swings for the fences, and shoots for the moon with its visual style.

Writer/director/cinematographer Orson Oblowitz has crafted a film that is always stunning to look at and involves the audience in its disturbing story through artful design and intense direction.

An ex-con (an extremely good Santiago Segura

Amid the ongoing discussion about prison reform, something often lost […]

This is the time for important social issues to be dealt with through the world of cinema. Prejudice and misplaced hatred are at the forefront of the current America and any film that deals with bullying of the LGBTQ communities (especially the youth) have an unfortunately relevant place in our theaters.

Reinaldo Marcus Green’s “Joe Bell” is a film that wants to speak out against the hatred