Sav Rodgers discovered Kevin Smith’s “Chasing Amy” at a crucial time in his life. Rodgers connected with Smith’s comedy about a straight comic book artist (Ben Affleck) who falls for a fellow artist (Joey Lauren Adams) who also happens to be a lesbian. Hijinks ensue, leading to a bittersweet ending not atypical of Smith’s work.

Rodgers watched the film dozens of times, if not more. However, as the fanboy came into adulthood, he began to see “Chasing Amy,” perhaps, as somewhat “problematic.” For one, the idea

Nearly four years ago, I watched one of the most incredible films I’ve ever seen at Sundance. Cedric Cheung-Lau took to the stage at a theater in central Salt Lake City to introduce “The Mountains Are a Dream That Call to Me,” which I described at the time as “hypnosis in motion.” I shook his hand after the screening, thanking him for this unique cinematic experience.

I named it my best film of 2020

The Christmas season is upon us; it's time for holiday cheer. The houses are decorated with bright lights, children have made their lists for Santa Claus, the stores are flooded with Christmas music, and there will be terror; viciously bloody terror in the form of writer/director James Crow's "Nightmare on 34th Street," a mostly entertaining collection of British horror tales just in time

Alice Walker's Pulitzer Prize-winning 1982 novel "The Color Purple" is a literary masterpiece. Steven Spielberg's 1985 cinematic adaptation is an emotional classic and one of the director's finest. Blitz Bazawule's "The Color Purple" (the big screen version of Marsha Norman's Broadway musical reinvention) has some excellent moments and a strong cast, but fails to capture the full emotional power of Walker's book, nor does it reach the heights

Filmmaker Billy Luther's first film, 2007's "Miss Navajo," was an involving documentary that used the determination of one contestant in the Miss Navajo Nation pageant to examine the importance of keeping culture and tradition at the forefront in the Native American way of life. The honest look at identity was personal to the filmmaker, whose mother won the title in the mid sixties. With his first feature film, "Frybread Face and Me," Luther takes

The television Western genre is long past its heyday. In the fifties and sixties, TV was filled with exciting "Oaters" that glued viewers to their sets and had young kids dreaming to be one of the real-life heroes who fought bad guys with grit, smarts and a six-shooter. While shows like "The Life and Times of Wyatt Earp," "Have Gun Will Travel" and especially "Gunsmoke" would be hard-pressed to find an audience in today's television landscape

Written by Samy Burch (from a story by Alex Mechanik), the screenplay for Todd Haynes's latest work, "May December," is filled with wit and irony. Haynes's film maintains that sharp edge throughout, but stands, also, as a striking examination of the complexity of human sexuality and attraction that reveals a shattering emotional core in its characters.

The film is not-so-loosely based on the

The seventies were a glorious time for filmmakers. From one film to the next, directors such as Hal Ashby, Jerry Schatzberg, Bob Rafelson (and more) made intoxicating works full of honesty and truth, achieving powerful emotion through rich characters and relatable situations. Through a career of mostly fantastic films, writer/director Alexander Payne has proven he paid close attention to the great auteurs of that fruitful

Beginning the year with a moving turn in the Sundance darling, "Sometimes I Think About Dying," Daisy Ridley continues her quest to carve out exciting performances in absorbing films. The actress ends 2023 with Neil Burger's "The Marsh King's Daughter." As with all adaptations of popular mainstream novels, fans of Karen Dionne's 2017 namesake work will likely lead the the book was better charge. While Burger's film (written by father and

Sofia Coppola has a precise directing style that keeps her unique and solidifies her as one of the most exciting filmmakers working today. The Oscar-winning director gives her films an artfully European aura. Graceful and ambient, her characters are crafted with precision and honesty and exist in an almost celestial cinematic world. For her latest film, "Priscilla," to come up so emotionally empty is disappointing.