Politics in the horror genre is a tricky thing. If done incorrectly, a film’s political slant can hurt its narrative. When done right, a political take can enhance a film’s potency. The late George A. Romero and horror film legend John Carpenter are the two filmmakers who expertly infused their political messages within their works.

Romero, with his series of “...of the Dead” films, made each one a reflection and commentary

Beginning your crime film with “The Passenger” by Iggy Pop is a marvelous idea and one that excitingly sets the tone for the very clever and labyrinthine noir “La Gomera” (“The Whistlers” in the English version). With his latest film director Corneliu Porumboiu has created a fantastic and riveting pop-culture cops-and-mobsters film that occasionally gives way to philosophical leanings.

In this age of YouTube and Twitter, there is simply too much information coming at us twenty-four hours a day. Everyone with a computer is an armchair newscaster. And above all else, when it comes to films everyone is a critic.

What people don’t seem to understand, or rather, what has become lost, is the truth that film criticism is, or can be, an art. No writer before nor since

The television cult hit “Mystery Science Theater 3000” ran from November 24, 1988 (where it began on KTMA-TV Minneapolis, Minnesota) until its cancelation in 1999 after three seasons at the then-new Sci-Fi Channel and seven seasons at The Comedy Channel/Comedy Central. 

MST3K was and is a unique television show. The simple plot being a man (Joel

A grade schoolgirl grooming herself to be the next Warren Buffet. One who puts profit margin above a real education. A girl who sells hot cigarettes at her junior high-school. This behavior continues through her life as she resists the easy road and finds alternative ways to make that green. Hustle. Hustle. Hustle. And most importantly, “Don’t fuck with my money!” This is how the new social comedy “Buffaloed” begins. Not with a small character build 

How far would we go to protect our lives and careers and to shelter our loved ones from pain? To what lengths would we go to bury our sins? What would be the consequence if those sins are revealed?

These are the questions asked and answered by the New Mexico/U.K. co-production “Feedback,” a tense and well-acted thriller that explodes with the ferocity of a shotgun

Before Weinstein and before Epstein and a myriad lesser-known sexual predators, there was Roger Ailes. The story of the CEO of Fox News and others like him, much discussed in the last few years as illustrations of how the ugly and mighty fall is now brilliantly illustrated in “Bombshell.” Jay Roach gives us the tremendously entertaining story of a watershed moment at Fox, predating the #Metoo movement, portraying the stance of a number

“Color Out of Space” is director Richard Stanley’s first feature film since his attempt at adapting “The Island of Dr. Moreau” back in 1996. Stanley was fired from that cursed production and replaced with John Frankenheimer. That firing would put a dark cloud over Richard Stanley’s career, reputation, and self-image, presumably, for quite some time.

Now here he is

It’s great when enterprising filmmakers put their best foot forward; it’s a hard job, and any and all recognition helps their work to achieve at least some notoriety. Here are some films from Sundance—and a bonus pick from Slamdance—that need to be seen as soon as possible. Keep your eyes peeled for these great films. “The Mountains Are a Dream That Call to Me” Cedric Cheung-Lau has made a film that is hypnosis in motion. Perhaps that’s because

Park City, Ut. - So many movies, so many stars—and so many red carpets. At Sundance, this week, I was able to get some facetime with the makers and stars of a select few films on the press lines (while being shut out of a few others, naturally).

Andy Samberg was in town for the premiere of “Palm Springs,” for which he both starred in and acted as producer. The film stars Cristin Milioti (“The Wolf of