PARK CITY, Ut. - Documentaries need not be lengthy to explore a fascinating subject, as I learned at the “Documentary Shorts Program 2” at Sundance. In “All That Perishes at the Edge of Land,” filmmaker Hira Nabi’s camera magnificently captures the “ship breaking” industry of Pakistan, which employs the poorest of the poor to disassemble obsolete carrier vessels for scrap. The ships grounded ashore in the region

Park City, Ut. | Steve James loves Chicago. The city helped to ensure his place in the pantheon of great documentarians thanks to “Hoop Dreams,” widely considered one of the greatest non-fiction films ever made. But in the twenty-five years since that documentary about inner-city high school basketball, the Windy City has continued to give James opportunities to tell its stories. There was “America to Me,” a look at some of the city’s

PARK CITY, Ut. | (Film critic Eric Althoff is in Park City covering Sundance 2020 for Screen Comment) Matt Yoka found a rather unusual Los Angeles treasure trove in an unassuming storage unit. There, in multiple boxes, sat some 3,200 ¾ inch Betamax tapes of helicopter news footage, all of it captured in the nineties by a now-defunct aerial news firm called Los Angeles News Service.

Santa Barbara International Film Festival is up against Sundance this year, so the demands for top independent films are especially heightened this season, as are the demands on stars like Brad Pitt (bestowed an honor in California) to choose one or the other.

As always, there are unexpected gems, including a rather offbeat comedy from South America I was able to see (review below)

“Church & State” examines the remarkable true story of an inexperienced gay activist who, in partnership with a Salt Lake City law firm and members of the local LGBTQ community, successfully ended Utah's ban on gay marriage.

Mark Lawrence, a middle-aged gay man, led the charge for gay marriage equality in Utah. He’s a bit of an acquired taste (he’s so off-putting to some that it made him

Sam Mendes’s name for his film is right. It hits you in the face with the mud, blood and gloom that was there, heavily, relentlessly, during that terrible year following three years of horror and followed by an even worse one. Out of this war that Mendes described as “a chaos of mismanagement and tragedy,” he has made a war movie like none other. Eschewing regular scripts for war films, the storyline is about how to stop a battle

As a film reviewer/ connoisseur I see most of the films that come out each year. As the decades go on, the pleasure of seeing so many is still there and always will be. There is nothing like seeing a film in the cinema. Even with today’s annoying audiences (cell phones are one of the biggest nails in the cinema experience coffin!), I still love being in a movie theater.

While there are many

The circle is now complete. Forty-two years after George Lucas forever changed Hollywood (and the lives of moviegoers around the world!) with the original “Star Wars,” director J.J. Abrams brings it all home with “Star Wars Episode IX: The Rise of Skywalker.”

I was there opening weekend in 1977. When the music blared and the opening crawl began to roll, I knew I was in for

Jen and Sylvia Soska have not directed a remake of David Cronenberg’s 1977 film “Rabid”, they have reimagined the piece for our current social climate. In doing so, The Soska Sisters have created a bizarrely relevant and unique Horror parable and a respectful tribute to Cronenberg himself.

Written by the Soska Sisters and co-writer John Serge, we are introduced to Rose (Laura Vandervoort giving

The professional relationship between director May el-Toukhy and actress Trin Dyrholm is becoming quite important to world cinema. From their collaboration on the enjoyable relationship film “Long Story Short” to the Bergmanesque brilliance of the Danish series “The Legacy,” the two artists seem to have an artistic symmetry to their collaborations. The director gets naturally powerful performances from her actress