• Coming of age in a strict religious sect, sinners and saints, right and wrong, impossible expectations, unwanted crushes and dangerous love, this is the imperfect storm hitting seventeen year-old Jem Starling (Eliza Scanlen) in writer/director Laurel Parmet’s “The Starling Girl”.

    A member of a rigid Kentucky fundamentalist Christian community, Jem has given her soul

  • Patricia Ortega’s latest film “MAMACRUZ” is a frank and honest film that speaks to the embracing of one’s sexuality, especially late in life.

    Spanish actress Kiti Mánver is excellent as Mamacruz, a seamstress, wife, mother, and grandmother, who accidentally clicks on a porn link. Stunned at first, the clip plants the seed of a sexual reawakening within. 

  • Andrew Durham’s debut feature “Fairyland” is an emotionally-rich character piece with an acute sense of time and place.

    Adapted by Durham from Alysia Abbott's book “Fairyland: A Memoir of My Father,” Scoot McNairy is Steve Abbott, a writer and widower who, after the death of his wife, moves with his young daughter Alysia (Emilia Jones) to San Francisco in the seventies.

  • Early in the new documentary “Little Richard: I Am Everything,” two sentences perfectly capture the man and his legacy.

    John Waters proclaims, “He spit on every rule there was in music.” and Little Richard himself declares, “My music broke down the walls of segregation.”

    When we think of the “kings” of Rock & Roll, Elvis is always crowned

  • Sundance Film Festival 2023 Indie Episodic Trailblazers and Icons “Willie Nelson and Family”

    “I've got the song of the voice inside me Set to the rhythm of the wheel And I've been dreaming like a child Since the cradle broke the bow”

    The new documentary series

  • Sex and money and greed in the cutthroat corporate world of New York City. Writer-director Chloe Domont’s fiery new adult thriller “Fair Play” is the kind of NYC white-knuckle film where people in expensive suits engage in backstabbing and carnal knowledge; the type of subject matter that would make director Adrian Lyne proud.

    We first meet up and comers Emily (Phoebe Dynevor)

  • “Run Rabbit Run”, written by Hannah Kent and directed by Diana Reid, is an Australian creeper that is essentially more of a psychological thriller than full-on horror. Sarah Snook stars as Sarah, a fertility doctor still mourning the death of her father, whose daughter Mia (Lily LaTorre) begins to inhabit strange behavior. Along with claiming she misses her grandmother (who she never met), the young girl begins to believe she is Alice, Sarah’s sister who disappeared

  • In director Rachel Lambert’s “Sometimes I Think About Dying,” Daisy Ridley’s Fran is there, but she isn’t there. Life is moving, but not forward. Existing is questionable.

    Adapted from a 2019 short film, one that was based on the play “Killers” by Kevin Armento, Lambert’s film gives Daisy Ridley the proper role to showcase her impressive talents in. In a dreary Oregon town

  • In the classic 1969 Western “Butch Cassidy and the Sundance Kid” Robert Redford’s Sundance teases Paul Newman’s Cassidy about his big schemes. Butch replies, “Boy, I got vision and the rest of the world wears bifocals.”

    Both the character of the Sundance Kid and, most importantly, the actor who played him, took that line to heart. In 1978, Sterling Van Wagman

  • PALM SPRINGS, Calif.—Editing a manuscript might not be the most cinematic endeavors about which to make a documentary—unless the parties in question are Robert Caro and Robert Gottlieb. For a half-century, Gottlieb has edited Caro’s work, including the not-yet-completed final volume of Caro’s definitive biography of Lyndon Johnson. “Turn Every Page — The Adventures of Robert Caro and