CANNES, France -- There were problems with booking seats to the screening of James Gray's latest film, "Armageddon Time," this caused frustration. Finally, I managed to snag a ticket to join my group. Gray doesn't come to the Cannes Festival often.

Fascinated by marginal characters left to fend for themselves, like Joaquin Phoenix's Leonard Kraditor of "Two Lovers," James Gray

“Ad astra,” the new film by James Gray, is more meditation than story. The title (one half of the latin phrase “per aspera ad astra” or “through hardships to the stars”) is apt given the amount of time travel and the fascinating hardware that allows it, though the tale meanders, causing some confusion. With various stellar transportation modes, it takes us from one distant planet to the next without a clear mission statement. Basically, the quest

This year’s James Gray vintage (We Own The Night was […]

At the Cannes Festival sometimes things can turn violent between journalists. Or at least that's what I feared upon exiting the Debussy theatre this past May after a press screening of James Gray's We Own the Night, which has its commercial release later this October. The film got copiously booed as end credits rolled--in my opinion because of its formulaic zeal, when you see the final scene, you'll understand--and I partook in the booing. After all, what's a festival if not for the prerogative to holler out your views loud and clear?