After being canned for three years (allegedly due to pressure from the Los Angeles police department) Brad Furman’s “City of Lies” was rolled out last month.
Although it would have benefited from a longer running time and deeper examination into the facts (this story would shine as a three-hour street crime epic), Brad Furman’s procedural gets to the meat of the inquiry into
By now, film adaptations based on the oeuvre of the two most prolific British writers of crime fiction, Arthur Conan Doyle and Agatha Christie, form a respectable body. Of the latter, probably the best-known work remains “Murder on the Orient Express.” Today comes a new version by the, himself now almost venerable, Brit actor, Kenneth Branagh. From the get-go in this iteration, the actor/director makes no attempt to shake the
El News– According to a recent ranking done by Forbes […]
Two stories of note this morning: Johnny Depp and Marilyn […]
With rum-soaked deadpan bemusement, Johnny Depp plays Kemp, a new reporter at the worst newspaper in Puerto Rico. Kemp is a talented writer and a talented drinker at a newspaper short of the former and full of the latter. His adventures in Puerto Rico range from drinking to cockfighting to bowling to drinking. He pools his poor pay for a crummy apartment with a pair of oddball newsmen (Michael Rispoli and
On the train that takes her to Venice on an assignment with said BF, acting on his instruction to find someone vaguely looking like him so as to throw the cops off his scent, she picks Wisconsin math teacher Frank Tupelo (Johnny Depp). Problems start from the moment they set foot in Venice as they are chased by assorted heavies and secret service agents. The plot, silly enough, affords the viewer not the slightest frisson (but a tour of Venetian splendor, lovingly photographed by John Seale) until the utterly predictable ending of the couple on a vaporetto taking them out to the open sea.
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