Ceiling fans, a dame of dubious motivations, drugs, sex, the sinister side of Hollywood, top hats and tommy guns, high stops from above ceiling fans, they’re all here in “Marlowe,” the new noir thriller from filmmaker Neil Jordan (“The Crying Game,” “The End of the Affair”), with Liam Neeson as the dependable yet perennially down-on-his-luck private eye Philip Marlowe. “Marlowe” finds Raymond Chandler’s

Blurring the line between good and bad is a good bet for a screenwriter nowadays. Good versus evil is so passe. The good guys usually win and they're often uninspiring. Oftentimes I find myself rooting for the bad guy, hoping he'll change his ways. Which is why The Brave One, which stars Jodie Foster and opened in the US this past weekend, is my redemption--kind of. Foster plays Erica Bain, vigilante by night, radio-show host by day. A devastating event turns Bain into a different person. Once, when asked by the detective close to her case (Terrence Howard) how she could have gone on after the tragedy she replied that she didn't, she simply became a different person. It's a bit shallow, especially when your trail is littered with bodies.