TRIBECA FESTIVAL | “Whole lotta sole”
Oscar-winning director Terry George (“Hotel Rwanda,” “Reservation Road,” “The Shore”) isn’t known for light-hearted comedies. His latest effort, “Whole lotta sole,” however, stands convincingly between “Snatch” and “Notting Hill.”
Laugh convulsively as you follow several different sets of characters–among them a young father (Martin McCann), a ruthless crime lord (David O’Hara), a grizzled cop (Colm Meaney), and a hapless American (Brendan Fraser), who runs to Ireland to escape Boston’s mafia and finds himself in even hotter water there than he was at home. Through a series of screwball gags and several cases of mistaken identity, Fraser and company end up on opposite sides of a botched robbery of the local fish market, Whole Lotta Sole, which quickly spirals out of control. With hostages on hand and a full-on military sniper team poised just outside, will Fraser and his friends be able to explain their convoluted story, send the crime lord to prison and manage to stay out of jail themselves?
Naturally the answer’s “yes,” but as many a motivational poster will probably tell you, it’s the journey rather than the destination that counts. While George, who also co-wrote the screenplay, lets the story tip into absurdity fairly often, his boisterous tone is consistent throughout, so it doesn’t feel like a letdown when things magically work out (even when a discarded sofa saves the day).
Fraser, whom I often find hard to square with dramatic turns, manages things successfully with his part, which contrasts nicely with the scenery-chomping performances of Meaney and O’Hara. McCann (“Clash of the Titans”), a relatively fresh face here, turns in a hysterically-funny performance as the hapless robber, and manages not to make Fraser look like a Yankee oaf by comparison (no mean feat, I’m sure, in a film full of authentic Northern Irish actors). The scenery in “Sole” is also a joy to behold; though we don’t get to see much of the town where everything goes down—a picturesque suburb of Belfast—what we are shown could easily be cut into a commercial for the Irish tourism board. It makes you want to hop on the next Aer Lingus flight.
This is not a serious film, so those hoping for the darker edge of early-Guy Ritchie or the incredibly sardonic wit of Ben Wheatley will definitely be disappointed. However, if you’re looking for a good date movie or something appropriate for your senior-discount parents (ever notice how similar those two sets of criteria are?) “Whole Lotta Sole” will be appropriate. It’s exactly what you want it to be: light, fun, pretty, and amusing enough to keep you interested.
Lita Robinson discusses cinema on her own blog–it’s called Lita on Film. She has our vote.
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