In director Rachel Lambert’s “Sometimes I Think About Dying,” Daisy Ridley’s Fran is there, but she isn’t there. Life is moving, but not forward. Existing is questionable.

Adapted from a 2019 short film, one that was based on the play “Killers” by Kevin Armento, Lambert’s film gives Daisy Ridley the proper role to showcase her impressive talents in. In a dreary Oregon town

In the classic 1969 Western “Butch Cassidy and the Sundance Kid” Robert Redford’s Sundance teases Paul Newman’s Cassidy about his big schemes. Butch replies, “Boy, I got vision and the rest of the world wears bifocals.”

Both the character of the Sundance Kid and, most importantly, the actor who played him, took that line to heart. In 1978, Sterling Van Wagman

PALM SPRINGS, Calif.—The Oscar is the goal, and before the final five, there is what’s called the “shortlist”—films generating buzz that may or may not get the nod.  The Hollywood Reporter’s Mia Galuppo and Kevin Cassidy led two panels at the Palm Springs International Film Festival of filmmakers shortlisted as Oscar contenders this year for best foreign feature.

The first panel held at the

As is ever the case with film festivals, there aren’t enough hours, or days, to see everything, or even everything on my to-watch list. This despite making my way through screening links in the week prior to even setting foot in California.

I tremendously enjoyed my time at the 38th Palm Springs International Film Festival, interviewed some amazing filmmakers

PALM SPRINGS, Calif.—Florian Zeller broke our hearts in 2020 with “The Father,” which placed us inside the mind of a man suffering from dementia. It featured a bravura performance from Anthony Hopkins, who justly took home an Oscar. Zeller appeared at the 34th annual Palm Springs International Film Festival on Tuesday for a screening and conversation about “The Son,” his new film.

PALM SPRINGS, Calif.—Editing a manuscript might not be the most cinematic endeavors about which to make a documentary—unless the parties in question are Robert Caro and Robert Gottlieb. For a half-century, Gottlieb has edited Caro’s work, including the not-yet-completed final volume of Caro’s definitive biography of Lyndon Johnson. “Turn Every Page — The Adventures of Robert Caro and

PALM SPRINGS, Calif.—Trees may be alive, but they certainly aren’t sentient enough to distinguish one race of people from another. Humans, however, are—and in Palm Springs a specific group of trees was effectively weaponized as a means of separating a historically Black community from the rest of this desert enclave 100 miles east of Hollywood.

The new documentary

Mia Hansen-Løve’s “One Fine Morning” ("Un beau matin" in the French original) is an intelligent and warm ode to the sorrows and joys of parenting. 

A marvelous Léa Seydoux is Sandra, a widow and single mother confronted with a father (Pascal Greggory) who has a disease that is causing the decline of his mental acuity. Sandra is sad, as her father can no longer

With “The Pale Blue Eye” director Scott Cooper has found his mojo again.

Ever since his excellent 2009 directorial debut “Crazy Heart” and his 2013 sophomore effort “Out of the Furnace,” Cooper had struggled to find a strength in his follow up projects.

2015’s true story of Whitey Bolger “Black Mass” was underwhelming.

The documentary filmmaker brothers Jules and Gédéon Naudet know something of capturing trauma on film. On September 11th, 2001, they were embedded with a New York Fire Department unit when the first plane struck the World Trade Center, capturing the only known footage of that initial horror. Their resulting film, “9/11,” provides a firsthand account of the heroism of the firefighters who ran to the inferno and is capped by a tearful