“John Wick: Chapter 4” opens with a series of bloody punches and then uses a direct homage to David Lean’s 1962 classic “Lawrence of Arabia” to take the audience into the wild world of the most resilient assassin ever to grace the screen.

Chad Stahelski’s original “John Wick” was wire-tight in its tale of a lone killer seeking revenge. The filmmaker used its violent

The sins of the father weigh heavily in Ben Young’s “Devil’s Peak," a new film that wants to be a modern “At Close Range" but doesn’t have the depth to carry its screenplay to the finish line.

Hopper Penn (son of Robin Wright and Sean Penn) is Jacob McNeely a young man living in Jackson County, NC who is cursed to bear his family name.

When Brock Turner was handed down a sentence of just six months in prison for a sexual assault case that occurred on the Stanford University campus in 2015, a collective outrage at the light sentence eventually led to a successful recall campaign against the judge who decided the case, Aaron Persky.  Many activists, especially those who decried a wealthy white man such as Turner punished so lightly, cheered—at least, at first.  The fallout from

When Kevin Abrams started work on his documentary “I Got a Monster” in 2018, he was determined that retelling the story of Baltimore’s corrupt Gun Trace Task Force not traffic in “ruin porn,” a staple of the HBO series “The Wire.”

“It’s nicknamed Charm City, and I really got why,” Abrams, a New Jersey native, said from his home in Los Angeles.  “As an East Coast

Critics have not been kind to “Empire of Light,” the film about cinema.  Sam Mendes’s film is not a “Cinema Paradiso” redux nor, I think, does it aim to be, but comes across as a more unequal treatment of what the medium gives us and has always given us, this immediate entry into our dreams, the world as we see it, remember it, as it affects us, the images that in certain films become so iconic as to define us to ourselves and sometimes make us see ourself within

Willem Dafoe is no stranger to unhinged performances. Perhaps that’s why he plays both creepy and villainous so damn well. But what if a filmmaker were to take that extraordinary talent and energy, and force the Oscar-nominated actor to act alone, essentially portraying a character who is penned up?

That’s the starting point for “Inside,” which sees Dafoe’s art thief Nemo become trapped

Cheech Marin loves sports, both in movies and real life. In 1996 he paired up with Kevin Costner for the golf romp “Tin Cup,” and in the weeks to come he will be seen in “The Long Game,” a real-life tale about a young Chicano golf team in Del Rio, Texas, in the fifties.

Meantime, Marin is co-starring with Woody Harrelson in “Champions,” a touching basketball comedy in which

Sylvester Stallone had a say in crafting Rocky Balboa’s character arc in the first “Creed” and co-wrote the screenplay for the sequel. Now comes “Creed III” to finish out the trilogy, and Stallone, both on screen and on the page, is missed sorely.

Michael B. Jordan understandably chose this picture for his directorial debut. While the film is worthwhile, generally, Jordan’s directorial

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