For the mainstream audiences that equate Bale with the stoic anti-hero of Christopher Nolan’s “Batman” movies, Bale’s smoking-fuse performance in “The Fighter” could open eyes. This is the first film with popular aspirations in which Bale completely submerges into an edgy character. He lost weight to create a gaunt and wasting appearance, and I’m not sure how any normal human being could voluntarily make his eyes bulge like that. One wonders if he took a pair of pliers and plucked out his own real teeth just to heighten the authenticity.
Yet "Unstoppable" isn’t really a movie about a runaway train. It’s a movie about a runaway society. Like domino it portrays a rapidly-changing America struggling with disintegrating institutions and identities. It’s set in fossilizing towns of blue-collar Pennsylvania, focusing on a rusting railway industry that once signified American industrial power. Now it seems like a leftover of the past.