Bahar (Golshifteh Farahani) is commander of the Daughters of the Sun battalion in Kurdistan. They are preparing to free her city from the hands of Islamists and find her son who is behind enemy lines. A French journalist on assignment in the area, Mathilde (Emmanuelle Bercot, of "Mon Roi" fame, among others), joins their platoon to cover the offensive and help bring the spotlight on these women warriors. “Girls of the sun"

THIS JUST IN: “The Dead Don’t Die” will open this year’s Cannes Festival (April 10th, 2019). After the dead rise from their graves, the tranquil town of Centerville has no choice but to battle the hordes of zombies come threaten their way of life. "The dead don't die" was written and directed by Jim Jarmusch, produced by Joshua Astrachan and Carter Logan and produced by Animal Kingdom (they produced Jarmusch's previous film, 2016's "Patterson").

"The Wind" is the first fiction feature film by Emma Tammi, a filmmaker thus far known for her documentary film work. The inspiration for the film is real, however, and comes from a true story told in the newspapers left behind by women suffering from prairie madness, a common affliction amid European farmers come to colonize the American west in the 1800s. "The Wind" was adapted by Teresa

French filmmaker and screenwriter Claire Denis will be chair of the Short Film and Cinéfondation jury of the 72nd Festival de Cannes. Denis follows Abderrahmane Sissako, Naomi Kawase, Cristian Mungiu and Bertrand Bonello. On May 23rd, she and her jury will award three prizes on behalf of the Cinéfondation to the seventeen student films that are in the running this year. On May 25th, the festival's closing

Led by Jean Dujardin and Adèle Haenel, "Deerskin" is Quentin Dupieux’s seventh feature. Among the most singular directors in the contemporary film scene, Quentin Dupieux is also a screenwriter, director of photography, film editor and composer of electronic music, known internationally as Mr. Oizo. "Deerskin" marks the return to Cannes of Jean Dujardin in a leading role after he emerged on the world

In 1986 forty-three children were born simultaneously from forty-three different women who weren’t pregnant. Seven of these children were adopted by billionaire Reginald Hargreeves. In order to save the world, Hargreeves founds The Umbrella Academy, a school where young children grow up, develop their power and save people. In Season 1, Klaus, Luther, Allison, Diego, number 5, Vanya

A heavily-redacted biopic about Freddie Mercury that omits a substantial part of the singer's life? Yes, that is possible—in China (among other countries). Morally cleansing the story of “Bohemian Rhapsody” to conceal some uncomfortable (for some) truth is unfortunately part of the orthodoxy in this otherwise grand, wonderful, but sometimes perplexing, country that is China. But this could've happened in Russia, Pakistan or around Mike Pence's dinner table, to be sure. Before its release, the biopic, which is devoted to Queen's vivacious lead singer's life

We all remember the slow-motion ballet of bullets that closed Arthur Penn’s 1967 “Bonnie and Clyde,” with Warren Beatty and Faye Dunaway’s gangster-lovers meeting their violent demise on a rural Louisiana highway. It remains one of the most grippingly awful endings to a film, and as you watch it, it feels like it goes on forever.In reality it was just sixteen seconds. More than a half-century after Penn’s film

In November 2008, ten devotees of the extremist group Lashkar-e-Taiba staged a dozen terror attacks across Mumbai, resulting in over a hundred deaths. The final and most dramatic stage of the assault took place as the Taj Mahal Palace Hotel, where several of the terrorists held the hotel under siege for three days, killing dozens in the process with automatic weapons and explosives while being directed via phone by someone in

By the end of Alison Klayman’s Stephen K. Bannon documentary “The Brink”even the most liberal viewer may find themselves rooting for the alt-right agitprop mastermind. In “The Brink,” which opens Friday, Klayman presents a cinema vérité year in the life of Bannon, from the time of his firing from the Trump White House and culminating in the 2018 midterm elections, which saw the Democrats retake the House