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Featured Review

  • Featured Review, In Theaters Now, Movies

    “Manbiki Kazoku,” “A Family Affair”

    Hirokazu Koreeda’s (是枝 裕和) “After the Storm,” the story of a divorced family having a reunion as a storm loomed large on the horizon, ran in competition at the Cannes Festival two years ago. “The Third Murder” was presented at the Berlinale last year, a rather twisted police procedural. And now, a “A family affair,” a film that’s centered on the intimate relations of the Shibatas, a small group of thieves in which women, men

    November 18, 2018
  • Featured Review, In Theaters Now, Movies

    “Beautiful Boy,” or how the loving and considerate can also be destructive and self-obsessed

    It is a fact, sadly, that addiction will touch almost everyone’s lives, even the most accomplished among us. This is what happened to Nic Sheff, a top-of-his-class teen who started experimenting with pot before moving into harder drugs, gradually spiraling into a harrowing cycle of highs, lows, homelessness, sobriety and relapse. His father, Rolling Stone writer David Sheff, could only watch helplessly as Nic’s roller-coaster ride became worse

    October 10, 2018
  • Featured Review, News

    “Sherlock Holmes,” the franchise is gathering momentum with numero tres in the works

    For a while everyone thought that that the adventures of Robert Downey Jr. and Jude Law in “Sherlock Holmes and John Watson” were going to remain without a sequel, ever since the release of the second opus, “Sherlock Holmes: A Game of Shadows.” Box office receipts were slightly higher than those of the previous film (545M v. 524), the third in the franchise was announced very hastily, and then, nothing happened

    September 20, 2018
  • Featured Review, In Theaters Now, Movies

    No magic this time! “BlacKKKlansman” is a botched job

    Much praise has been heaped on "BlacKkKlansman" the new Spike Lee feature based on a daring tale as told in the book by the same name by author Ron Stallworth. The action takes place in the seventies, in the heady times of Vietnam War protests, desegregation and black power movements. These last, as we now know, went nowhere. The lucky African-Americans fill prisons, the less lucky ones are murdered on street corners

    August 25, 2018
  • Featured Review, In Theaters Now, Movies

    “The Children Act,” unequal, at times awkward, clamors for well-deserved attention

    For better or for worse, Ian McEwan doesn't see much virtue in religious beliefs or faith. To him, they are a hindrance at best, an absurdity at worst. Founders and practitioners of various religions and cults come up with a logic completely devoid of reason, one that’s meant only to establish their power on the sheep that follow them. Not mincing words, he makes the point in “The Children Act,” for which McEwan wrote the script on the

    August 17, 2018
  • Cannes, Featured Review, Festivals, News

    CANNES FESTIVAL, “Cafarnaúm,” I am overreacting, I know, but hear me anyway

    Everything about “Capharnaum” looked good, for a while. Nadine Labaki, its talented filmmaker, the trailer (“some squirt with killer looks stands in front of a judge in a Beirut court and tells him, “I want to sue my parents for having given birth to me”), the promise of a social drama examining Lebanese society, a film by a woman, going up for the top prize in Cannes. Labaki set out to make a movie about childhood. When young Zain

    May 18, 2018
  • Cannes, Featured Review, Festivals, News

    CANNES FESTIVAL, “Under the silver lake” wows the Croisette

    There is much going on in David Robert Mitchell’s new film “Under the silver lake,” one of the most thematically-dense feats of hardboiled storytelling of this 71st Cannes Festival. In this highly-entertaining “Lake,” to be catalogued under film noir, a tormented, and unemployed, young man, Sam (Andrew Garfield) who dreams of being famous, notices a new occupant in his L.A. apartment complex. Sam is intelligent

    May 18, 2018
  • Cannes, Featured Review, Festivals, News

    CANNES FESTIVAL, “Dogman”

    Good cinema takes time. Matteo Garrone first thought of the idea behind “Dogman” in 2008. He had this image, that of “a few dogs, locked up in a cage, bearing witness to the explosion of human bestiality” (from the production notes). “Dogman” (Garrone’s fourth film in Cannes) is like a corroded fresco of an Italy that’s concealed from the sightseeing brochures. Like in “Reality,” or “Gomorra,” the characters

    May 17, 2018
  • Cannes, Featured Review, Festivals, News

    CANNES FESTIVAL, Spike Lee rolls triumphantly back into town with highly-pleasurable “BlacKKKlansman”

    The Cannes Festival gives so much room to new filmmakers that it leaves one in want of excellence, movies by the top echelon guys, the masters, the dream team. 2018 is a good year in this regard, with two master filmmakers, Lars Von Trier and Spike Lee, coming to present films. Last year, there was only one member from that club, Michael Haneke who presented “Happy End.” 2018 marks a comeback, for the aforementioned

    May 15, 2018
  • Cannes, Featured Review, Festivals

    CANNES FESTIVAL, underwhelming and mediocre “Pope Francis: A man of his word”

    Disappointed, for professional and for personal reasons. This lapsed Catholic grew up in Europe and was raised by Jesuits at one of Paris’s private schools. I’m not a believer, anymore, but I’ve remained a Catholic, existentially speaking, the Vatican being a kind of cultural guide, my go-to moral authority in a Europe that's sometimes hardly recognizable. When I was baptized, I was named after Saint Francis. Pope Francis strikes me

    May 14, 2018
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