Taylor Dunne and Eric Stewart’s forthcoming documentary “Off country” examines the devastating, still-lingering effects of atomic bomb testing on the communities around the White Sands missile range in New Mexico, the Nevada Test Site and the Rocky Flats Plant in Colorado, where plutonium triggers were manufactured until its 1992 shutdown (the latter facility was studied in the galling 1982 documentary “Dark Circle"

When last year I spoke with Illeana Douglas we discussed her work highlighting the accomplishments of women behind the camera. We also talked about her involvement as executive producer of the Kino Lorber five-disc collection “Pioneers: First Women Filmmakers.” As I've discovered, Douglas is continuing her mission by hosting TCM’s annual “Trailblazing Women” series for the second year in a row. The current

There is always a time when the topic of Female Directors becomes pertinent. Kathryn Bigelow winning her Oscar for “The Hurt Locker” certainly raised the subject.  But that was seven years ago.  Now, Patty Jenkins’s recent “Wonder Woman” success is picking up the topic.  The problem seems to be continuing the trend.  In an effort do just that, writer/producer Ryan Murphy (“American Horror Story," “Feud”) has started a new fellowship aimed at supporting the cause. 

"Brad's Status" is one of the better films I've seen in a long time. Mike White has crafted a movie, and a hero, that is sad, funny, smart, maddening and 100% human. Ben Stiller has been criticized for overexposure, usually when he appears in four junky slapstick comedies in one season, but I think audiences will want more of him after the one-two punch of "Brad's Status" and the (almost nearly as excellent)

Some time ago I attended a screening of “A girl walks home alone at night” in Paris, where I'm based. The film felt novel and contrarian enough to warrant attention. Its diminutive director, Ana Lily Amirpour, present at the screening, appeared to me like one of independent cinema's great new hopes, a stentorian counterpoint to the languid cinema of Sofia Coppola. The Q&A afterward was a little perplexing, though. A squeamish Amirpour stood

I know, I know, you’re jaded. You’ve seen it all in hundreds, nay, thousands of movies. War movies, survival movies, hanging-on-by-the skin-of-your-teeth movies, abandon-hope movies, never-lose-hope movies. You’ve also seen admirable or despicable actions from soldiers, officers, and ordinary civilians. But trust me, you have never seen all of that brought together in a package such as Christopher Nolan’s “Dunkirk.”

Can we fight evil? Save our lovely planet from ghouls such as Monsanto and other purveyors of various poisons into GMO plants and animals? Can the good people win? Can we save the human race while preventing our animals from being seen only in terms of sirloin or chops? Such is the theme of “Okja,” a Netlix film streaming on the video channel (and causing much distress at the recent Cannes film festival when the jury president

Some one hundred thirty years after her death in the house in Amherst, Pennsylvania where she lived as a recluse dressed in white and scribbling poetry in the middle of the night, do we know more about Emily Dickinson than her ever-puzzled circle did? Books about her would make a hefty library, scholars who have spent a lifetime researching her would fill a mid-size conference room, her own poetry, some two thousand

(this is the follow-up piece to Rudy Cecera's interview with the director from earlier this year) Susie Singer Carter has much to be proud. Not only is “My mom and the girl” racking up palm leaves all over the U.S. but it also received recognition at the Cannes Festival in May. In fact, her short film got two separate nods, the the “Jury Winner Honorable Mention LGBTQ Winner at The American Pavilion” and the

Many short films tend to be comedy-oriented but not all of them are funny. An exception is “Lemon,” which was shown as part of shorts program at the last Tribeca Festival. In the twelve minutes that make up its length I found myself laughing more often than I do during some feature-length films.

Written and directed by Timothy Michael Cooper (“Concierge: The Series”) “Lemon” provide