Nicolas Winding Refn's intent for his new film, shown in competition this morning, is difficult to discern. Is "Only God Forgives" a send-off to his previous film “Bronson” with a (sustained) nod at David Lynch and liner notes from Eastern philosophies? It would be distasteful to call a film a styling exercise. Filmmakers get our admiration because they invest more into filmmaking than you or I can ever imagine. Moviemaking

“A villa in Italy” by French-italian filmmaker Valeria Bruni-Tedeschi provided a welcome dose of charm and comedy yesterday in Cannes. An exultant love letter to her brother, who died of AIDS several years ago, “Villa” is painfully autobiographical, in fact. Besides her brother (played by Filippo Timi) and her real-life mother (to whom former first lady Carla Bruni bears a striking resemblance) as…. her mother, Bruni-Tedeschi also puts her romantic wares on display, casting her real-life (former) lover Louis Garrel, the son of filmmaker Philippe Garrel (the two have since broken up, in 2012) . So many connections

If “Blood Ties” by Guillaume Canet hits all the right notes it’s probably because the partition is a familiar one: an Italian-American family drama based in New York, the gangster’s life, one final hit before I retire. This is a genre in itself.

Starring in no particular order Mila Kunis, Zoe Saldana, Marion Cotillard and Billy Crudup, “Ties” also include Clive

I'd like to thank the Coen Brothers for giving me the opportunity to write this post. I've just waited sixty minutes in the pouring rain for a chance to get inside the Debussy theater and watch "Inside Llewyn Davis" but the theatre filled up and we got left out in the cold. Fortunately I was with my three colleagues from the French site Abus de Ciné so we got a chance to exchange about the day's discoveries (there was a lot to cover).

Stories, whether in film or in literature, generally follow an arc. Things happen to a character or characters that we judge and like or dislike according to their personalities and their choices; situations develop, conversations take place, a certain point is reached, and there is a conclusion. In an Asghar Farhadi film (winner of an Academy Award for Best Foreign Film for “A Separation,”) only the conversation part is certain. In his new film, “Le Passé,” (“The Past”) shown in competition at the Cannes Film Festival, people talk, not hearing each other—as when they talk through a glass pane in an airport—or hearing wrong, or hearing too much.

Four songs and four seasons provide the pace in “Young and beautiful,” (original title: "Jeune et Jolie") the engrossing film by France’s filmmaker Francois Ozon (“The swimming pool”) in competition this year. They provide a neat way to organize the film but also reinforce our oh-so-wrong expectations as we settle into the quaint family vignettes which he tenders in the first part of his film: a semi-normal family (they

CANNES - All aboard for the 66th edition of the Cannes Film Festival.

"The Great Gatsby" by Baz Luhrmann unofficially opened the festivities this morning at 10 a.m. local time (fest kicks off tonight at 7:15 p.m. with the film's premiere).

No need to dwell on the artistic indulgence that befits the director of "Moulin Rouge," we've been down that road before. Luhrmann

France figures highly this year at the Cannes Festival. As Auréliano Tonet noted in his lead article in the special Cannes edition of Le Monde, out of the 75 or so films competing for various prizes across all official and parallel programs, 33 are French. And that’s a boon for cinephiles, indeed. Because as the American majors have been busy turning out a circus-styled sequel-and-3-D performance and some key indie-minded filmmakers

The Cannes Festival isn’t just the greatest film festival in the world: it’s also a major commercial player driving the local economy and ensuring the livelihood of thousands.

Here's a look at the arithmetic:

$25,000: that's the estimated value of the Palme D'Or; $50,000: poney up and you will the most expensive penthouse

The video clip for "Young and Beautiful" by Lana Del Rey was just released online. This is the first time the soundtrack for "The Great Gatsby" is heard. Film which stars Leonardo Di Caprio will open the Cannes Festival next week. In a sequence done with restraint and in a 1920s esthetic, the "Video games" singer wonders whether loves can resist the passage of time and not take away and a specific vision of beauty.