• CANNES - All aboard for the 66th edition of the Cannes Film Festival.

    "The Great Gatsby" by Baz Luhrmann unofficially opened the festivities this morning at 10 a.m. local time (fest kicks off tonight at 7:15 p.m. with the film's premiere).

    No need to dwell on the artistic indulgence that befits the director of "Moulin Rouge," we've been down that road before. Luhrmann

  • France figures highly this year at the Cannes Festival. As Auréliano Tonet noted in his lead article in the special Cannes edition of Le Monde, out of the 75 or so films competing for various prizes across all official and parallel programs, 33 are French. And that’s a boon for cinephiles, indeed. Because as the American majors have been busy turning out a circus-styled sequel-and-3-D performance and some key indie-minded filmmakers

  • The Cannes Festival isn’t just the greatest film festival in the world: it’s also a major commercial player driving the local economy and ensuring the livelihood of thousands.

    Here's a look at the arithmetic:

    $25,000: that's the estimated value of the Palme D'Or; $50,000: poney up and you will the most expensive penthouse

  • The video clip for "Young and Beautiful" by Lana Del Rey was just released online. This is the first time the soundtrack for "The Great Gatsby" is heard. Film which stars Leonardo Di Caprio will open the Cannes Festival next week. In a sequence done with restraint and in a 1920s esthetic, the "Video games" singer wonders whether loves can resist the passage of time and not take away and a specific vision of beauty.

  • The last Tribeca Film Festival finished on a high note as Robert De Niro and Martin Scorsese screened “King of Comedy” marking the thirtieth anniversary of the film’s release. With its knife-sharp commentary on celebrity and the vagaries of fandom "King of Comedy" not only still holds up thirty years later but is just as relevant today as it was then. In “King” stage-door autograph hound and aspiring comedian

  • The twelfth edition of the almost-venerable Tribeca Film Festival wrapped up last week, and left the impression women filmmakers figured higher than ever. Is this the signal of a paradigm shift? And yet, contrary to what many believe women have stood peering into a viewfinder ever since silent-film era actress/director Mabel Normand yelled “Action” to Charlie Chaplin on the Keystone lot ("Silent film star deserved")

  • Most people believe Tribeca is all about the big pictures. However what makes it fun and different is what I believe are the backbone of most film festivals, as they are both the stepping stone for filmmakers and the quicker way to see more entertainment in a minimal amount of time; the short films. There were several this year that not only had more production and entertainment value then the features but

  • Sean Dunne's new documentary “Oxyana” was awarded a Special Jury Prize at the last Tribeca Film Festival, and it's easy to see why. Capitalizing on the current rage over oddball slice-of-life docs (see “The Queen of Versailles,”etc.), Dunne's straightforward portrait of a desolate West Virginia mining town ravaged by prescription drug abuse (Oceana, West Virginia, nicknamed “Oxyana” because of its Oxycontin problem) hits the right notes to ensure big indie success. He chooses a provocative topic, adeptly balances

  • During the 2013 edition of the Tribeca Film Festival which […]

  • "Only Lovers Left Alive" by Jim Jarmusch will be vying for the 2013 Palme d'Or at Cannes. The film was added Friday to the official selection of the festival, which now runs twenty films deep. The festival has also decided to complete its official selection with "Le dernier des injustes" (the last of the unjusts) by Claude Lanzmann ("Shoah"), which will be screened out of competition. In addition, "My sweet Pepperland" by Kurdish director Hiner