• The Toronto Festival launched yesterday with Bruce Willis and Joseph […]

  • Stormy skies have threatened to overflow the lagoon and the part of this year’s Selection that’s already been screened is stoking an enthusiasm that’s mitigated. It’s near the end of the festival and this 69th edition of the Venice Film Festival is still struggling to gain traction and also get in step with the bold ambitions of its new artistic director, Alberto Barbera. And yet this year’s poster was handsome enough and significant changes have been

  • Terrence Malick has thrown things into high gear and, two […]

  • “Cosmopolis,” the new film by David Cronenberg, is a bit anemic but as movie-events in Cannes go, it’s the bee’s knees. There’s a high-wattage star like Robert Pattinson in it, it is directed by David Cronenberg and it was adapted from a novel that is as relevant to our times as it is a stinging indictment of them. Pattinson plays Eric Packer, a multi-billionaire and yen trader who decides to to get a haircut. Except, his preferred barber-shop is

  • It’s official, Cannes’ jack-in-the-box title by France’s Leos Carax "Holy Motors" has found a distributor. Indomina, which produces the “Cabin Fever” series, has bought the rights; no theatrical date as of this writing. This was one of the most anticipated film at Cannes this year and one of the top three films preferred by the press. Here's the official press release: Cannes, France (May 27, 2012) --- It was announced today that The Indomina

  • Rallying behind an insurgency borne out of the Arab Spring and emboldened by the fall of Muammar Kaddafi, helping to install a democratic government, those were the missions of French author and philosopher Bernard-Henri Lévy’s (B.H.L.) as he traveled between France and Libya last year cameras in tow. As revealed in “The Oath of Tobruk” (a co-directed project shot entirely with Canon's EOS 5D camera) B.H.L.’s involvement

  • The winners have been announced and this 65th edition of the Cannes Festival is officially over. Slim pickins for the U.S., with the American Benh Zeitlin winning the only prize in the Official Selection, the Camera D'Or (for feature films being presented at Cannes for the first time). Let's hope for a stronger showing next year in Cannes. One of the surprises of the evening included the "A separation" actress Leila Hatami coming up on

  • As I type these lines there are rumors that “Mud,” by the American Jeff Nichols, may find its way to the top rungs of the competition prizes—some are even talking of a Palme D’Or upset. Matthew McConaughey, who came to the Croisette to present a film for the first time in his career, plays the Mud of the title, an enlightened vagabond living on a deserted island on the Mississipi river—his past is heavy with blunders. Two independent-

  • Eight years may not be that long to turn into film that most iconic of iconic novels, Jack Kerouac's "On the Road," the book that has launched many into sustained bouts of daydreaming. Because eight years is the time it took for the project to mature. Plus, the film was lensed by one of our better filmmakers and is based on the ultimate American myth, the road story (the open road is there for the taking, there’ll always be someone motoring

  • “All God does is watch us and kill us when we get boring. We must never, ever be boring” (Chuck Palahniuk). I think that Chuck Palahniuk must be a fan of Leos Carax’s films. Because the diminutive French filmmaker’s “Holy Motors,” which is competing for the Palme D’Or, is never boring as his new film shows. “Holy Motors” represents everything that’s cinema ought to be: poetic, unpracticed in following convention and filled with mystery. He-