• Things could be going just a little better for Gwyneth […]

  • Kiwi helmer Jane Campion will preside over this year's jury, as was previously announced by the Cannes Festival. The list of her co-jurors was released today, showing a cosmopolitan, if homogeneous (professionally speaking) mix of actors and directors hailing from the U.S., France, China, Korea, Denmark, Iran, France and Mexico. They form a compelling international cohort representative of countries in which

  • Hotels provide the perfect backdrop for filmmaking: they’re anonymous and […]

  • Ever heard of the canuxploitation genre? The social media planet just did and it's been lighting up with howls of "Wolfcop" ever since the trailer for it came out yesterday. "Wolfcop," part-chainsaw massacre part-incredible hulk and part-robocop is silly and demented and has "double-bill" written all over it. It's made in Canada (Saskatchewan, to be precise) and has characters named as "tough henchman" and "trashy woman." So put

  • YSL is mega-hot. This year not one but two different […]

  • This year's selection in Cannes, while not being particularly exceptional in terms of big-name wattage, could lead to some interesting results. For example, this marks Xavier Dolan's first year bringing a film to the competition series (he's been at Cannes before, but was never in line to compete for the Palme D'Or). A win for Dolan would validate years of efforts and progress. This year also marks Jean-Luc Godard's return, so to speak.

  • Screen Comment has an official poster for Cannes (and we […]

  • Here is one of the best (and most discomfiting) scenes from "Annie Hall" (1977) in which the funny conversation isn't the one taking place between the two protagonists Alvy Singer and Annie Hall but rather the one that's overheard between some holier-than-thou faux-cinephile who spends the whole scene shooting down Fellini and his companion. Alvy and Annie are standing in line to go watch "The Sorrow and the Pity" at the New Yorker

  • It’s been about two years now since Robert Pattinson slipped his fangs back in and ended his career as a gentleman-vampire. Two years, therefore, since we haven’t heard about him on the cover of magazines, leaving the popular press with a 90% space shortfall to fill with other things between 2008 and 2012. Fans (and they are legion) who’ve been mourning him are now breathing a collective sigh of relief : Pattinson isn’t dead yet, and in fact

  • In about an hour I’ll be getting ready to get over to the Champs Elysées cineplex where the Cannes Festival's Thierry Frémaux and Gilles Jacob will be holding their press conference. Just a few last minute thoughts about the would-be selection; it appears that the French will make a strong showing this year (Screen Comment is based in Paris, can't hardly start an article without mentioning this country's eminent cinema first) with