[post_author_posts_link] [post_date] [post_comments] [post_edit] Provincetown, Mass., prides itself on several […]

[post_author_posts_link] [post_date] [post_comments] [post_edit] Tribeca Film has acquired the rights […]

[post_author_posts_link] [post_date] [post_comments] [post_edit] Isn’t New York swell? The Film […]

[post_author_posts_link] [post_date] [post_comments] [post_edit] Auteur cinema is alive and well […]

Danish filmmaker Lars Von Trier has been declared “persona non […]

“Fire in Babylon” mixes interviews with former cricketers and musicians, archival footage and photographs, and reggae music and examines how the struggle to be accepted into the Cricketing society is likened to the Civil Rights Movement of the Sixties. During a time of great civil unrest the small team from the Caribbean Islands watched as South Africa was torn apart by Apartheid while they struggled to make a name for themselves in this white-dominated sport.

Hitchcock fans, it’s time to mourn; Farley Granger has passed […]

[post_author_posts_link] [post_date] [post_comments] [post_edit] Elizabeth Taylor who just died at […]

Best Picture: The King’s Speech (Iain Canning, Emile Sherman and […]

The separation itself is somewhat of a MacGuffin and does little more than set all the pieces in motion. The most we hear about marital disputes is in the tense opening scene, a single static shot that shows the spouses pleading their cases, from the perspective of the marriage clerk’s desk. Simin explains that she wants to take their eleven-year-old daughter to study and live abroad. Nader insists on staying behind to tend to his Alzheimer-afflicted father.