Mexico City in the nineties was a place where the harshest crimes went unpunished due to money and a corrupt police force.

Aida (an excellent and tortured performance from Diana Lein, an actress to watch!) serves up revenge for young women who have been raped and maltreated and weren’t able to find resolution on their own.

Working out of the back of a nightclub, the women

Marie Adler’s story about an intruder raping her in the middle of the night seemed incredible. So impossible, in fact, that she later retracted her story, earning her the enmity of police, her friends and the entire community.

The thing was, Marie wasn’t lying. The teen had, in fact, been violated in her own home by a man who bound her and took photos of her body amidst hours

In the eighties and nineties independent film was in its heyday. Many great “human” comedies came out of this era. Before giant Hollywood romcoms, little films filled with relationship-related comedy were plentiful, with many of them being highly entertaining.

Writer/director Joshua Land’s new Maryland-set film “I Like Me” (co-written by Abby Sussman) has a mid-nineties

San Francisco’s Castro District is known for its historical importance in the LGBTQ community, most famously for the election of Harvey Milk as the first openly gay elected official in California’s history. The Castro is used quite differently in the new independent comedy “Bathrooms Stalls & Parking Lots.”

Coming from Brazil, Leo (the film’s writer/director Thales Correa) arrives in San Francisco’s

Things sometimes don't go as planned. Peter Fonda, the handsome actor who most famously starred in 1969’s "Easy Rider," along with co-star Dennis Hopper, died on Friday at his home in Los Angeles, ahead of what would've been the fiftieth anniversary of the release of the film.

Fonda was 79.

The man who once said, "I feel like I'm about eight years old on most days" had a boyish charm and wore a permanent glint of hope in his eyes, even though his take on humanity was, in all likelihood, dark. "Civilization was always a bust," he’s been known to say.

A talking head archival documentary to be sure, but with a subject such as Mike Wallace (who spent his career as a so-called talking head) there was no other way to film it.

Wallace is, perhaps, the one man who defined television journalism. His demeanor was stern and his questions were sometimes strikingly blunt and he didn’t suffer fools gladly nor take BS answers to direct questions. Even Wallace

In a yurt on the snow-covered fields of northeastern Siberia, Nanook (Mikhail Aprosimov) and Sedna (Feodosia Ivanova) live following the traditions of their ancestors. Alone in the wilderness, they look like the last people on Earth. Nanook and Sedna's traditional way of life starts changing, slowly, but inevitably. Hunting becomes more and more difficult, the animals around them die from inexplicable causes, and the ice has been melting earlier every year. Chena

The Rose of the title is Jessica Buckley who, as Rose-Lynn Harlan does a tremendous turn as an untamable working-class Glaswegian just out of prison after a stint for committing a petty crime. She’s a cleaning lady by trade, a Nashville-style country singer by aspiration, a mother of two and an unmanageable rebel, all within the staid contents of her small life. The twisted charm of Tom Harper’s movie

Brazilian-American filmmaker Alexandre Moratto’s “Socrates” is his first feature length film. It was produced by the Querô Institute of Brazil, co-written, produced, and acted by people ranging in age from sixteen to twenty. These young film makers come from low-income communities and they received support from UNICEF.

This story revolves around a fifteen year-old named Socrates

Low-key independent character pieces are director Lynn Shelton’s specialty. With films such as “Humpday," “Your Sister’s Sister," “Touchy Feely," “Laggies," and the undervalued “Outside In," Shelton creates projects that seem gimmicky on a surface level and infuses them with deeply personal meditations on the human condition. Her uniquely easygoing writing style has proven Shelton to be one of the most interesting writer-directors in film today.