What a triumphant win for Steve McQueen, last night, for his “12 Years a Slave.” Let us hope that more black filmmakers will advance in their craft and career and reach their place in the sun some day, too (Lee Daniels and Ryan Coogler of “Fruitvale Station” have been leading the charge). The international film industry is rather too homogeneous, color-wise, so last night’s mega-win for the adaptation of Solomon Northup’s
Best hairdo: Bobby Canavale's nape in "Blue Jasmine." Best scene: Greta Gerwig running in "Frances Ha" to David Bowie's "Modern Love." Best newcomer: Barkhad Abdi in "Captain Phillips." Best acting award: New York City in "Inside Llewyn Davis." Best documentary: "The Act of killing." So much to gloat about this year. Here are my favorites among those films which had an official U.S. release.
Among movies about race in America, how many great films have been made about slavery? We’ve seen gentle drivers ("Driving Miss Daisy"), sisterhoods of maids ("The Help") and pizza places going up in smoke for our sins ("Do the Right Thing"). Most of these films focus on the sixties or the modern day. Even Lincoln barely touches on slavery as more than legal theory.
This enormous gap