Alienation is unhealthy, it is not good for the psyche. Fading into the background with no friends or acquaintances, people who go unnoticed would do almost anything to have their voice heard and for someone to see them. Loneliness and an uncaring world can drive some people to madness.
In Aneil Karia’s “Surge,” we meet one such person, a man at the breaking point.
Director Yorgos Lanthimos's fourth feature-film, and second one at the Cannes Festival, can be divided into two parts: the first, good one, and the second half, which takes place in a woodsy area. There are trees, lots of them, and people living in them who attempt to alternatively break away from, and comply with, some complicated social constructs governing celibacy and marriage. How does THE LOBSTER succeed? Let me count the ways.
“Cloud Atlas,” the latest effort from the Wachowskis, wraps a half-dozen stories, settings, and groups of characters into one film. But it doesn’t matter how many stories they do, their song remains the same. The “Matrix” helmers have hit the same point for a while now. Liberty is the freedom from illusions that are perpetrated by relationships of power. Bravery is the willingness to fight these illusions, and fighting these illusions takes the coll-