“Sorry we missed you” by Ken Loach is laden with social significance. It stands as direct indictment of how businesses have reorganized labor contracts, passing risk and exposure unto their workforce. In France, the U.K., Belgium and elsewhere job precarity has increased due to various factors, but also due to the fact that employers, such as the parcel delivery service pictured in the film no longer offer long-term contracts but rather, short term agreements

“Bacurau” has been one of the richest cinematic experiences I've seen in a while, producing enormous feeling. And while the writing is slightly disheveled, this panoramic film is brimming with imagery of folklore, capoeira, community life and historical legacy. It’s a celebration of Brazilian sertao (outback) living, told from the viewpoints of several different people but not without its acidic share of tragedy.

Many a filmmaker has shot the inner city, the tough neighborhoods, in order to highlight the plight of the locals. In press documents for “Les Misérables” director Ladj Ly has said, “I hope the President [of France] watches the movie, so he can get a sense for what’s going on here.”Making movies is a personal project, innately, but not all stories are autobiographical. This one is. Ly has grown up in the same city of Montfermeil

Throughout the sixties and beyond, and today, still, you could ask many a woman (man?) from Tehran to Trieste or Tucson who their favorite on-screen male heartthrob was and, chances are they would've told you, with misty eyes, Alain Delon. The slightly-gloomy actor with killer eyes from France made an impression on many a film viewer, too. Delon has appeared in some of cinema's greatest opuses. This year, the Cannes Festival is celebrating Alain Delon with the greatest prize