The praise critics have showered on Todd Haynes’s CAROL gives me pause. Have I seen an entirely different film or is there something in this one that escapes me? A. O. Scott of the N.Y. Times sees CAROL as “fetishistically precise in its recreation of the look and sound of the past.” Sorry, but the fingernails with their bright red polish, the lips with their bright red lipstick, the precisely-coiffed heads, women wearing high heels