Alain Guiraudie’s film, shown in the “Un certain regard” section at the last Cannes Film Festival, is a perfect illustration of why European cinema works while American cinema is drowning in a sea of either loud, big productions wrapped in close-ups of interchangeable actors (Brad Pitt or Leo di Caprio? Nicole Kidman or Jessica Chastain?) and special effects or self-indulgent, quirky indies where one almost hears the whirring of the