Han Van Meegeren was such a cunning, apt artist that he convinced the world his own paintings were actually painted centuries earlier by Dutch master Johannes Vermeer. In fact, such a believer in his own talent was Van Meegeren that during World War II, he sold one of his phony Vermeers to Hermann Göring himself.

The postwar aftermath of this incredibly unlikely but true tale forms

It’s a strange time for all of us, and perhaps it’s little wonder that the crop of films being released direct to streaming has itself gotten weird. How else to explain a movie where Mick Jagger plays an arts dealer who may, and this is giving nothing away, actually be the devil in disguise? (in case you don’t guess his name, it is Joseph Cassidy. As Al Pacino observed as Satan in “The Devil’s Advocate, “I have so many names.”).

Ruben Östlund's "The Square" raised the level of this still-young Cannes Festival last night. Definitely my favorite film so far. Will Yorgos Lanthimos’s film "The Killing of a Sacred Deer,” which later in the festival, knock “The Square” off its pole position? Perhaps. But for now let us bask in the euphoric weirdness of "The Square,” Östlund’s comeback film to Cannes after his “Force Majeure from a couple years ago, equally as strange