Ceiling fans, a dame of dubious motivations, drugs, sex, the sinister side of Hollywood, top hats and tommy guns, high stops from above ceiling fans, they’re all here in “Marlowe,” the new noir thriller from filmmaker Neil Jordan (“The Crying Game,” “The End of the Affair”), with Liam Neeson as the dependable yet perennially down-on-his-luck private eye Philip Marlowe. “Marlowe” finds Raymond Chandler’s

The characters in director Fatih Akin’s movies are flawed, they use drugs, they take a contrarian approach to life, they survive life rather than live it (and they listen to fantastic music). While studying the humanities in college Katja (Diane Kruger, in a very strong performance) enjoyed the instant gratification of chemicals and fell for her drug dealer, the virile and handsome Nuri (Turkish-German actor Numan Acar).

Throughout 2012 I found myself drawn more toward world cinema--particularly European films--and less to American ones. Reasons are numerous, among which the number of rote big-budget efforts, repeated from one movie to the next, totally predictable, with nothing to surprise viewers, let alone engage them. Full disclosure: I don’t live on the planet where audiences flock to the "Harry Potter" and "Twilight" franchises, nor Pixar-created

Fanciers of period pieces, stay away. The Marie-Antoinette of Benoît Jacquot’s film is no dimpled and fashionable clueless Austrian princess busy trying on new wigs. Instead, she (Diane Kruger) is red-eyed with distress and worry, not so much out of awareness of gathering storms but because her bosom friend, the haughty Duchess of Polignac (Virginie Ledoyen) is not present enough. The time is 1789, the date, July 15. History

Director Jaume Collet-Serra dials up the paranoia and suspense while the action, which includes some fights, explosions and a terrific car chase, thrills. Of course the way this all ends is very important and while it’s familiar, the ending still makes sense enough not to botch what came before it. And this is Neeson’s movie. The big, gruff action hero knocks it out of the park. Ganz also proves a definite scene stealer and Kruger and Frank Langella, playing Martin’s shady boss, offer fine support. Unknown is nothing groundbreaking but it's effective and thrilling, and at this point in the year who could ask for anything more?