“We are two different creatures, right? You like the sound of crickets and I like the rattle of the taxis. You blossom in the sun and me, I come into my own under grey skies.”
It’s no longer a secret that Woody Allen owns New York, is it? With a passion that fuels his creativity, Allen has turned the city into a canvas that transcends time and space.
And when he examines the lives
Gender parity and multiculturalism are on the program at this year's Cannes Festival. Pierre Lescure and Thierry Frémaux have done their homework and they've taken the temperature. Quite right!This year’s program, which we reported on on April 18th after attending the press conference here in Paris, is gleaming with talent and may even earn the Cannes Festival a Nobel Peace Prize, with women filmmakers better represented than ever
There were many films at the Tribeca Festival, many about women, and many others directed by women. “Mary Shelley,” starring Elle Fanning, is not only both, but perhaps was one of the best films at this year’s Tribeca Festival, which ended recently. As the title suggests, "Mary Shelley" tells the story of the nineteenth century-author who penned the horror classic “Frankenstein.” And in a case of irony as poetic
Two men at an Andre Balasz properties hotel step inside […]
The mood is melancholy, the road ahead unclear. Which may explain the slew of biographical and autobiographical novels and films in a meandering Proustian fashion that go for the past. And, just like Proust’s oeuvre, never boring but intriguing and beguiling at the same time. After the Norwegian Karl Ove Knausgaard’s six-volume memoir, “My Struggle,” the gorgeous Mike Mills film, “20th Century Women.” I hadn’t seen “Beginners”