It’s been a bit of a long road for Israeli filmmaker Guy Nattiv, whose new film about Golda Meir’s turbulent days during the Yom Kippur War of 1973 is dramatized in “Golda.” Working from a script by Nicholas Martin (“Florence Foster Jenkins”), the film casts Oscar-winner Helen Mirren as the embattled prime minister battling both foreign armies as well as an essentially all-male military power structure around her. “Golda” also shows

The principal pleasures of “Hitchcock”—which, in the end, is a film of decidedly few pleasures—comes from watching Anthony Hopkins’s transformation into the Master of Suspense. Hopkins may have worn a fat suit and prosthetics for the role, and he may not possess the disproportionately gaunt cheekbones and bulbous nose of the real Hitchcock (the star’s nose is so pointy here it almost upstages his character’s alarmingly

Split between two settings, two time periods, and two casts, it’s no wonder that John Madden’s The Debt divides so easily into two levels of quality. There’s one part that I like to call a classy, sexy Cold War spy thriller. There’s another part that I like to call “the ending.” Three Mossad agents share an apartment in East Berlin in 1966; two men and a young woman. The cramped quarters in a hostile land breeds danger and romantic tension.

Everyone knows that 1981’s “Arthur” had three performances that could […]

They were trying to sneak that one past me. The […]

In most period films nowadays, the director appears so enraptured […]