Alain Resnais, master of irony and, in his last decades, of whimsical comedy, would have appreciated the fact that his latest oeuvre, “Aimer, Boire, Chanter,” opened in Paris on March 26, not even a month after he himself took his final bow at age 91, on March 1st (see our OBITUARY)

The romp, set in the English countryside and based on an Alan Ayckbourn play, “Life of Riley” never introduces