On Monday morning, the world mourned the passing of the world’s greatest living filmmaker, Ingmar Bergman. His death comes as less of a tragedy and more of a shock, a jarring reminder of the frailty of human existence. Bergman outlived virtually every other cinema great of his generation – most notably, Federico Fellini (who died in 1993) and Akira Kurosawa (who died in 1998). And unlike those directors, Bergman seemed to be working constantly up until near the end. His last film, “Saraband” – a sequel-of-sorts to Scenes from a Marriage - was screened at the 2004 New York Film Festival.