Can we fight evil? Save our lovely planet from ghouls such as Monsanto and other purveyors of various poisons into GMO plants and animals? Can the good people win? Can we save the human race while preventing our animals from being seen only in terms of sirloin or chops? Such is the theme of “Okja,” a Netlix film streaming on the video channel (and causing much distress at the recent Cannes film festival when the jury president

DEMOLITION is off from the first frame and never grounds itself enough to make a coherent argument. Hard to tell whether it’s Jake Gyllenhaal’s perplexed expression as he endeavors to show himself empty of emotions after the accidental death of his wife or the ill-thought storyline that appears to go in one direction and then unexplainably veers into another. Jean-Marc Vallée, who previously directed the excellent

If we posit that a great film is both cinematography and story, EVEREST is not great as it does extremely well in the first area but fares poorly in the second. Obviously, Everest, the mountain, summit of the world, films magnificently. It is mighty, spectacular, awe-inspiring, frightening. It is both threatening and irresistible. Irresistible to the multitude striving to climb to the top or “summit,” to use their word.

Dan Gilroy’s first feature film, “Night Crawler,” is a rare treat, a perfect thriller, a soufflé that rises as it should and keeps its superlatively fluffy texture from minute one to minute 117. But you stand warned, this film about a sleazy, nasty loser-drifter who has watched one too many TED talk about how to be wildly successful will not be as easy to digest. Jake Gyllenhaal, skinny, driven, with the smile a rattlesnake would have if it could

“Prisoners” is the most maddening kind of failure: an abrasively portentous thriller that, in spite of its copious flaws, manages to startle the audience a handful of times. Because director Denis Villeneuve regards screenwriter Aaron Guzikowski’s cut-and-dry kidnapping story as an ultra-serious treatise on torture, and because the superb cast (Hugh Jackman, Jake Gyllenhaal, Paul Dano, Terrence Howard, Maria

Writer-director David Ayer really likes cop-themed movies. He’s done all kinds of them, from frivolous fun ones ("S.W.A.T") to police corruption (“Street Kings,” “Dark Blue,” “Training Day”) ones. These have all been riveting in their own way and “End of Watch” is no exception, but this is fairly new territory in that it breaks down the brotherhood of cops. Jake Gyllenhaal and Michael Pena play Brian and Mike, South

Love and Other Drugs gives you your fill of Jake […]