In “Darkest hour,” what Gary Oldman’s Churchill has to contend with in a time of war reminded me of what a newspaper editor does: tense negotiations, the reworking of sentences, an overarching need to get the message out, loudly and clearly. The real context of the story, the history, is, evidently, a very different one from this. In the early forties European countries were falling like dominoes as Hitler’s panzer division closed in

Keira Knightley and filmmaker Joe Wright ("Atonement") team up again to cover a celebrated work of European literature, this time focusing on forbidden love among the Russian aristocracy described by Tolstoy. The latter has directed a gorgeous-looking, if overindulgent, film, although nary a soul is to be found in it. Knightley, as the title character, wallows in her loveless marriage to politician Alexei Karenin (Jude Law). She falls in love

“The Soloist” is the true-life story of LA Times reporter […]

Film critics are a notoriously grumpy lot, maybe because, unlike […]