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Joon-ho Bong

  • Cannes, Featured Review, Festivals, News

    CANNES FESTIVAL – The grifter family versus the perfect family in the entertaining PARASITE

    Bong Joon-Ho has directed "Parasite," a comedy about an elaborate con that glistens with irony. The material ambitions of the poor are pitted against the dull indulgence of the wealthy in a manichean fight for supremacy. Will the world one day see an all-out war between the classes? Occupy Wall Street, the Yellow Vest movement, were those harbingers? They’ve all come and gone but what’s next? Will there be something else

    May 22, 2019
  • News, This Month's Reviews

    Korean cinema : paradox, ideology and cultural exceptionalism

    Korean cinema was born at a time when the peninsula was still under Japanese control (since 1910). It immediately became a tool of resistance, with communists, especially, seizing on this opportunity. Na Un-gyu directed, in 1926, the first known (but since lost) film, “Arirang.”And yet, cinema as we know it today was borne of the civil war (1950-1953), a conflict that resulted in the country being split. North Korean cinema

    March 27, 2019

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