In the early 2000s, Genesis P-Orridge embarked on the latest major phase of an art career which is as erratic as they come. P-Orridge and his lover Lady Jaye undertook a “pandrogyny” project, in which they would eschew the bodies they were born with by going through a series of plastic surgeries with the goal of resembling each other as closely as possible. In effect, the aim was to meld their beings into each other’s, in spirit and body. This is the