Disappointment, “Ismael’s Ghosts” is not the near-perfect film that “My Golden Days,” which screened at Cannes last year, was. Desplechin’s new film, which launched this year's Cannes Film Festival this morning (Cannes is celebrating seventy this year) is sketchy and brutal and impertinent and camp. It has some grand, theatrical dialogue (and it works well), like its predecessor from last year, memorable lines, like, "I will rip your mask off and make a prince out of you.”

“La Chambre Bleue” (“The Blue Room” in the original French), the extremely-talented actor Mathieu Amalric’s directorial debut, screened on Friday. Based on a slim 1955 novel by police procedural author Georges Simenon, it relates, or rather reveals, its story in a tortuously piecemeal fashion. In the course of an interrogation, we are introduced to Julien (Amalric), his mistress (Stéphanie Cléau) and his wife (Léa Drucker). What has transpired between them and the reasons for Julien’s interrogation gradually come into focus. Shot using the academy ratio of 1:33 (also used in “The Grand Budapest Hotel,”

Right after World War II Jimmy Picard (Benicio Del Toro), a Blackfoot Indian who fought in France, is admitted to a military hospital in Topeka, Kansas. The institution is specialized in brain diseases and Jimmy Picard suffers from many problems : dizziness, temporary blindness, and hearing loss (a case of post-traumatic stress disorder?). In the absence of physiological causes, he’s given a diagnosis of schizophrenia.