With “The Pale Blue Eye” director Scott Cooper has found his mojo again.

Ever since his excellent 2009 directorial debut “Crazy Heart” and his 2013 sophomore effort “Out of the Furnace,” Cooper had struggled to find a strength in his follow up projects.

2015’s true story of Whitey Bolger “Black Mass” was underwhelming.

Director Matt Ogens grew up in Frederick, M.D., not far from the Maryland School for the Deaf. One of his best friends was hearing-impaired and Ogens became familiar with the deaf community thanks to him.

“It just so happened that years later, when I decided to become a filmmaker, I directed a commercial campaign about high-school football teams around the country, and one of

Producer Regina K. Scully should have known better than to ask her Italian-American mother, Nancy, to try gluten-free pasta. Nancy glared at her daughter, responding, “What would Sophia Loren do?”

That simple retort sparked an idea for Scully, a longtime producer of hard-hitting documentaries that include “Athlete A,” “The Hunting Ground” and “The Invisible

Raise your hand, all you movie lovers and cinema buffs who hardly hesitate when asked what is the most important movie ever made or, alternatively, what it the best film of all times, before you answer, “Citizen Kane.”

“Mank,” David Fincher’s movie about the script of that brightest of all gems, was originally written a few years back by Fincher’s father and called “American.” Now, starring

David Fincher’s “Mank” is not a film for casual moviegoers. This is an absolute truth. It is a highly stylized piece taken from a decades-old screenplay from David Fincher’s father, Jack and ghost co-written and reshaped by son David and Eric Roth. This is a film that has essence and a old-school sensibility when it comes to how to film it but, unfortunately, it is also a film which never fully realizes the drive and power of its subject, Oscar-winning

Confinement. Quarantine. Shut in. Whatever you wish to call it, we are all doing our part to stay safe during this tough time. For many of us, the arts are the key to keeping our minds stable through any issue, let alone being stuck in our homes for months. We have novels, music, films and television to see us through.

The world now lives in the age of bingeing

The television cult hit “Mystery Science Theater 3000” ran from November 24, 1988 (where it began on KTMA-TV Minneapolis, Minnesota) until its cancelation in 1999 after three seasons at the then-new Sci-Fi Channel and seven seasons at The Comedy Channel/Comedy Central. 

MST3K was and is a unique television show. The simple plot being a man (Joel

The producers and showrunners insist they didn’t plan for the second season of “Lost in Space” to debut Christmas week, but a yuletide story element in the first episode of Season 2 made it a rather fortuitous happenstance.

“We heard that Netflix put us in their Christmas window, because they were so excited about the audience we might get,” said series co-creator and executive

Marie Adler’s story about an intruder raping her in the middle of the night seemed incredible. So impossible, in fact, that she later retracted her story, earning her the enmity of police, her friends and the entire community.

The thing was, Marie wasn’t lying. The teen had, in fact, been violated in her own home by a man who bound her and took photos of her body amidst hours

Filmmakers Julia Reichert and Steven Bognar have watched as the industrial Midwest has cratered around them. High-paying factory jobs once stretched from western Pennsylvania to Michigan, providing a comfortable working-class living enabling workers to buy a home, two cars and send their children off to college.

All of that changed as plants closed and jobs outsourced