There just isn’t enough story to carry Olivia Wilde’s “Don’t Worry Darling” through a feature length running time. While the premise is there, the screenplay (from Katie Silberman, and Carey & Shane Van Dyke) fails to have anything new or interesting to say about the film’s themes, nor does Wilde have the skills as a director to pull it all off.

In an attempt to mix different genres

Should we accept the common virtue of safety? Or, sometimes in the future when cars become self-regulated, will we--too stubborn to lose the thrill--reject the disappearance of the human element?

Pushing toward that thrill is at the axis of "Rush," Ron Howard’s superb film about Formula 1 racing of the seventies. At the end of the push, Peter Morgan’s

Better movies are coming in the next couple of weeks, is what I kept repeating to myself as I sat through “Deadfall," an incredibly average thriller about people with father issues. Eric Bana and Olivia Wilde play Addison and Liza, two siblings who forged a very deep bond with one another during their young years when they’re alcoholic father put them through hell. Now they’re casino robbers on the run in the blizzard-laden count-

Have you heard of “People like Us”? It's by the same studio--Dreamworks--which had released “The Help.” "People" barely even meets that previous mediocre effort, however, and lacks the two name actresses who made "The Help" the film that it was. That "People" was written by the same scribes (Roberto Orci and Alex Kurtzman; they also directed it) who were behind the “Transformers” screenplay is no surprise: this is about as

By CRAIG YOUNKIN – February 4, 2010 The Good: Sexy […]