Director Gerardo Chijona liberally name-drops a plethora of Hollywood films in “The Human Thing”: “3:10 to Yuma” (1957), “The Godfather Part 2” (1974), “Terminator 2” (1991), and even 'The Sopranos.' One would expect that with such a macho pedigree of visceral violence “The Human Thing” would be some kind of high-octane thriller or cinematic homage. But it’s neither. The film is one of words and literature centered on