Tommy Lee Jones made his Cannes directorial debut in 2005 with "The Three Burials of Melquiades Estrada" and was awarded best screenplay for it (Guillermo Arriaga was scribe) and the best actor nod. It's taken him nine years to turn out his new opus "The Homesman," as director. After Faulkner, he's adapted a novel by Glendon Swarthout and revisits the Western genre. The resulting film, a moral and social fable from a different era, is excellent

It’s been an interesting few months for history on film. A series of releases have raised the ever-present question of historical depiction. One film, "Zero Dark Thirty," was threatened with Congressional investigations over its portrayal of torture. "Argo" takes vast liberties with the Iranian hostage crisis, but no one except the Iranians seems to mind. No film is quite as dependent on history as "Emperor," a serviceable feature film that

“Men in Black 3” is a paycheck movie for everyone […]

It isn’t every day you get the likes of Meryll Streep and Tommy Lee Jones in a romantic comedy, even the very idea seems like two actors doing a bit of slumming, but instead they make “Hope Springs” really pop with an honest, funny, and moving portrayal of a marriage on the rocks. They play Kay and Arnold, a couple married thirty-one years who have hit a bit of a rough patch. They’ve been sleeping in separate beds. When Kay tries to remedy this, Arnold uncom-

Captain America: The First Avenger is the summer’s final sweet indulgence in sentimentality, a 3-D tribute to 1940s retro-futurism and patriotic nostalgia. It shares imaginative space with Spielberg’s Raiders flicks and countless World War II movies. The tearjerking ending of this endearing truffle will almost make you stand and sing “We’ll Meet Again” without a hint of Kubrick’s irony.

Captain America ambles along in this glorified past, when America believed itself an Arsenal of Decency and the nation believed in better living through chemistry. American power is undeniably beneficial. Science advances with flying car optimism. Love is something delayed in the name of duty. It is as if revisionism never happened, warmly embracing the nation’s most idealistic values.

There are several versions of Bertrand Tavernier’s “In the Electric […]