Fanciers of period pieces, stay away. The Marie-Antoinette of Benoît Jacquot’s film is no dimpled and fashionable clueless Austrian princess busy trying on new wigs. Instead, she (Diane Kruger) is red-eyed with distress and worry, not so much out of awareness of gathering storms but because her bosom friend, the haughty Duchess of Polignac (Virginie Ledoyen) is not present enough. The time is 1789, the date, July 15. History

Halfway through the 62nd installment of the Berlin Film Festival, no single film has emerged to carry the fest’s top prizes. The international jury, this year’s headed by British director Mike Leigh, will have a difficult time distributing the Gold and Silver bears if the competition fare remains this lackluster. Benoît Jacquot’s French-Revolution drama, Les Adieux à la Reine was the firing shot in a festival year that is taking a hard look