At the Cannes Festival sometimes things can turn violent between journalists. Or at least that's what I feared upon exiting the Debussy theatre this past May after a press screening of James Gray's We Own the Night, which has its commercial release later this October. The film got copiously booed as end credits rolled--in my opinion because of its formulaic zeal, when you see the final scene, you'll understand--and I partook in the booing. After all, what's a festival if not for the prerogative to holler out your views loud and clear?